Cello Sight-Reading 1 Vol. 1 - A fresh approach škola hry na violoncello - John Kember

1. To the pupil: why sight-reading?
2. Section 1: Open strings
3. Section 2: Open strings and 1st finger
4. Section 3: 3rd-finger notes, key signatures and rests
5. Section 4: 4th-finger notes, quavers and the 4/4 time signature
6. Section 5: 2nd-finger notes, accidentals and slurs
7. Section 6: Ties, dotted notes, bow markings and the anacrusis
8. Section 7: Forward extensions and semiquavers
9. Section 8: The flattened 1st finger
10. Section 9: 3/8 and compound time